(This post originally appeared at CSFF-Anglia.)

To honour old arguments over the 1992 shortlist, I began by ruling out all books with spaceships on the cover. Most of these I don’t regret losing, except Yoon Ha Lee’s Ninefox Gambit, which I’m actually reading right now and enjoying very much—but not as one of my shortlist picks, alas! Rules are rules.

Second, I borrowed one of Megan’s rules and discounted books by everyone who’s won a Clarke before.

Third, I left out some books that I find intriguing but felt would be redundant of me to select, like The Underground Railroad, A Field Guide To Reality, Central Station, or The Fifth Season, which are already getting substantial attention from the sharkes. The fins are circling, as it were. (If time and circumstance permit, of course, I might write about these and other books that I’d read or considered anyway, even if briefly.)

Fourth, I ruled out all the books I’d already read, because reading new books is a big part of the fun of this project for me.

If this all seems a bit arbitrary, it certainly is. In my intro post I talked about the joys of freedom from responsibility in this project, and I’m exploiting that as much as possible.

My shortlist:

1. Songshifting by Chris Bell
2. The Man Who Spoke Snakish by Andrus Kivirähk, translated by Christopher Moseley
3. Death’s End by Cixin Liu, translated by Ken Liu
4. Empire V by Victor Pelevin, translated by Anthony Phillips
5. The Core of the Sun by Johanna Sinisalo, translated by Lola Rogers
6. The Arrival of the Missives by Aliya Whiteley

The six authors are from six countries: the books include four translations, a novella, and the only self-published novel on the submissions list. Obviously this is neither an attempt to predict the official Clarke shortlist (since there’s an official competition underway for that), nor even to imagine a plausible alt-universe official shortlist (there being several of those already via my fellow jurors, and some degree of consensus already forming via the overlaps in our selections) in that this selection mixes likely candidates with less likely ones. Rather, I’m using my shortlist to push the boundaries of that consensus a little bit and bring a few more books into the conversation. And perhaps to adopt a slightly orthogonal perspective of the field―in cross-section rather than a bird’s-eye view, maybe. This is also an acknowledgement that the shadow shortlists are fundamentally unlike the official shortlist in that ours are multiple by definition, which gives us interesting effects both in the points of overlap and in the lonelier spaces between them. The existence of multiple shortlists allows us to play off each other’s selections, set up resonances, compensate for absences, and most interesting of all, to choose different frameworks to read with.

So I’ve also tried to select books that I think would be interesting to read through the particular framework that I want to think and write through: the idea that the core tradition of science fiction is a literature of resistance to empire―a tradition with its early roots in, say, Kylas Chunder Dutt and Martin Delany―which refuses the hegemonic formal constraints of the mimetic novel, and eventually builds a toolkit of refusals against the three great constraints of realism: location, selfhood, and physics. And of course, the mirror-tradition with which it is inextricably entangled, the counter-science-fiction of using those same tools to magnify empire and domination instead. It seems to me that all six of these books (and not a few of the others, too) should be interesting, and hopefully entertaining, to read through this frame.